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Nigeria Culture & Heritage

Nigeria Culture and Heritage

The culture of Nigeria is shaped by Nigeria’s multiple ethnic groups. The country has over 50 languages and over 250 dialects and ethnic groups.

The three largest ethnic groups are the Hausa-Fulani who are predominant in the north, the Igbo who are predominant in the south-east, and the Yoruba who are predominant in the southwest. The Edo people are predominant in the region between Yoruba land and Igbo land.

Much of the Edo tends to be Christian while the remaining 25 percent worship deities called Ogu. This group is followed by the Ibibio/Annang/Efik people of the coastal southeastern Nigeria and the Ijaw of the Niger Delta.

The rest of Nigeria’s ethnic groups (sometimes called ‘minorities’) are found all over the country but especially in the middle belt and north. The Hausa tend to be Muslim and the Igbo are predominantly Christian. The Efik, Ibibio, Annang people are mainly Christian. The Yoruba have a balance of members that are adherent to both Islam and Christianity. Indigenous are often blended with Christian beliefs.

It is popularly believed that Nigeria has about three hundred fifty linguistic groups Language is the vehicle for creating and mastering the complex realities that define any geographical expression. It is the most dynamic element of any culture or society. Languages are vital for transmitting knowledge, world views and verbal arts over the years. These languages and the cultures they transmit are however not barriers but bridges of understanding and mutual cooperation across their respective frontiers which differentiates them as entities sometimes referred to as “ethnic nationalities”. Some super structures are known to have grown which help to mediate the diversities and channel them into harmonies and unity. This is why today we talk about “Unity in Diversity”. Examples of such include, dress modes, inter-ethnic marriages, shared religious beliefs and practices as well as commerce. People have equally developed interest in other cultures to the extent of speaking different languages and taking names from other cultures for their children.

In the area of dressing, Nigeria is characterized by the diversity of its traditional attires. It is fashionable for Nigerians to wear the traditional dresses of their regions or ethnic groups of origin. The Igbo men from southeast geo- political region for instance are known for their red caps just as the hat is a peculiar feature of men’s traditional wears in the Niger Delta region. In Benue State the “Ange” cloth characterized by its zebra-like black and white stripes is used by the Tiv people while their Idoma neighbours wear similar clothes with red and black stripes. But it is not uncommon for Nigerians to adopt particular attires from other regions which have become very popular. The ensemble “Baban riga” (or “Agbada”), “Buba” and “Shokoto”, completed with a cap to match, or the “Kaftan” which are popular among the men-folk in the north (predominantly Hausa/Fulani) are now worn by people from other parts of the country. In western Nigeria, the Yoruba brand of the “Agbada”, “Buba”, “Shokoto”, with the cap to match, has become popular too.

Writers and performing artistes, the world over are regarded as the “cultural engineers” of the society. This is because they help to create and lubricate the fabrics of societal stands and joints through their creativity. Literary arts in Nigeria, has enjoyed greater patronage since Independence in 1960. With the increasing documentation of folklore and traditions, the literary arts, has witnessed a phenomenal growth. This has equally given prominence to Nigerian authors and scholars within and outside the country.
       
These literary icons include Wole Soyinka, the first Black writer to win the Noble Prize of literature in 1986, late Chinua Achebe, Cyprian Ekwensi, John Pepper Clark, Gabriel Okara, Abubakar Imam, Flora Nwapa, Zulu Sofola, Amos Tutuola, Chukwemeka Ike, Elechi Amadi, Chimamandia Adiche to mention these few. This development has encouraged script writers to have a reservoir of materials for film scripts used especially by Nollywood film producers.

The Nigeria culinary practice is as diverse as the country’s ethnic groups. Every ethnic group is associated with particular cuisine which they hold as dear to them. The major traditional dishes and delicacies which have become national heritage include: Edikaikon, Okoho, Fufu, Tuwo, Akpu, Suya, Kilishi ,Gbegeri, Owo, Bush meat, Fura de nunu, Kunu, Amala, Eba, Pounded yam. Today, Nigerians from various cultures prefer these foods to the western or so called continental dishes. The popular snacks include Akara, Boli and Corn (boiled, popped or roasted). The beauty in the Nigerian experience is that guests are fed generously.

It is not particularly an easy exercise to draw a straight line of demarcation between arts and crafts. This is usually so because the same artist (genius) who produced the beautiful bronze head, could be involved in the production of ornaments of brass, just as the same carver who produced a door panel could be involved in making stool, comb or ritual drum. It is however accepted that the first product by the same artist from a mould represents an art, while subsequent products from that same mould are classified as craft, though coming from the same artist.
Each product is intended for a specific usage. Generally, climate, geography and religious factors play vital role in art or craft production as the main motive or idea was utility and aesthetic satisfaction. These factors are equally responsible for the decoration of such objects of everyday use, for example granary, door panels, bowls, knife handle, drinking horns, special design of the rulers roofs and walls (interior and exterior), etc.

The creative inspirations of early civilization such as the Nok, Ife, Benin and Igbo-Ukwu presented the foundation and platform for the creative evolution of cycles and generations of modern artists in Nigeria. Art traditions which started with traditional carvers have today metamorphosed into contemporary art with “western-trained” artists. Nigeria has since Independence produced five generations of modern artists. What started with people like Aina Onabolu has produced young artists like Samuel Onyilo, Paul Oluwole, etc.These artists were trained in Art Schools in Nigeria.

In the area of painting, their works cover a wide range of colours and expressions. These expressions or art forms use water colours and acrylics to produce wide range of techniques. Some undertake a technique known as wood burning or mixed media. Nigerian sculptors are very outstanding in their art forms and expressions. They produce works on wood, Iron, Bronze and Stones among other features. Their works are found in major galleries and private homes globally, some of their commissioned works adorn major round-about in most cities across the country. The patronage covers private individuals, companies and government agencies.

The development of modern music and dance had their foundation or origins in the traditions of the various communities in Nigeria. Different communities are known to have their music and dance forms, which they use for entertaining themselves and important guests. Every occasion or event attracts its own form of music. There is music for entertaining workmen in farms drums, especially with double membrane, on hollow wood produce the music and is supported by the gong, horns and trumpets. There is music for naming ceremony, installation of kings and at burials. Both genders are involved, cutting across generations. For example the Idoma of Benue state, have the “Ajah”, Oghrinye, Odumu and Ichicha to mention a few.

Their Tiv neighbours have the Swange and Kwagh-hir ; Atilogu and  Nkponkiti is common in southeast ; Sakara, Bata, Sato, Ponse, Yemoja, Gelede, is popular in  southwest; while Chalawa, Dabe, Goje hold sway in the northeast and northwest respectively; and Igbabo is well known in Edo State (south-south region).

Nigeria is famous for its English language literature, apart from English language being its international language, pidgin is also a lingua franca that was common among illiterates and the street touts who cannot speak the formal English but nowadays everybody including the rich and the poor, the literates and the illiterates all speak Pidgin English which is a picture of English and other slang like ‘How you dey’ instead of ‘How are you’ and its popular music. Since the 1990s the Nigerian movie industry, sometimes called “Nollywood” has emerged as a fast growing cultural force all over the continent. All over the country, and even increasingly in the conservative north, western music, dresses and movies are ever popular.
Entertainment industry Nollywood and Nigerian music.

Stand-up comedians have come to complete Nigeria’s entertainment landscape. They distill humour and jokes inspired by the every-day life experience of Nigerians to a wide variety of audience, through direct stage shows or recorded VCD/DVDs, in English or Nigerian Pidgin. Among the most popular of these highly talented comedians are: I go dye, Gordons, Klint d’drunk, Basketmouth, AY, Lepasious Bose, Funny Bone, Akpororo, Seyi Law, Bovi, Helen Paul, Chi-girl, etc.

Cultural Diversity Across Nigeria